A title that reflects its composition based on geometry and the contemplative atmosphere that emanates from its colors and shapes. It also suggests that the painting is like an imaginary map that traces internal landscapes, contained emotions and the relationship between the earthly and the ethereal.
This painting stands as a visual dialogue between geometric order and chromatic subtlety. The geometric shapes, organized in a seemingly random but deeply intentional arrangement, create a rhythm that guides the viewer's gaze through a network of planes.
Green brings a dimension of chromatic subtlety and emotional depth. This tone, rooted in nature, evokes the stillness of the timeless. Its presence in the composition of this work acts as a visual link, uniting with other chromatic elements to offer a balance between the organic and the ethereal. The greys, in contrast, provide balance and sobriety, acting as a neutral reference that allows the other tones to stand out without stridency. The browns add an earthy and warm note, rooting the composition with a more tactile dimension. Within this contained harmony, orange appears, scarce but vibrant, as a warm accent that breaks with the predominant calm. This colour acts as an energetic counterpoint, guiding the gaze and bringing vitality to the whole.
The use of shapes and colors seems to allude to the interaction between the natural and the constructed, between the spontaneous and the controlled. Each line and each intersection between colors suggests a reflection on the limits of human order in the face of the fluidity of the organic world. Abstraction, far from being chaotic, is perceived as an invitation to explore the harmony hidden in the tensions of the composition.